Conférence d’Emily RIDGE (Université de Galway, Irlande) « Smiling as Labour in the Work of Jean Rhys »

Emily Ridge (Université de Galway, Irlande) est chercheuse invitée à l’IHRIM en 2024-25. Elle donnera une conférence (en anglais et ouverte au public) à l’ENS de Lyon le jeudi 14 novembre de 11h à 13h en salle D2-115 intitulée "Smiling as Labour in the Work of Jean Rhys"

Résumé de la conférence

‘Cheer up.’ ‘Look gay.’ ‘Don’t look so sad.’ ‘Smile please.’ Jean Rhys’s major female characters are frequently shown to be subject to such demands and admonitions. Just as frequently, they struggle or fail to respond to them. These characters simply cannot look happy when they don’t feel happy and are, moreover, deeply and often aggressively suspicious of the smiling faces of others. Using Arlie Russell Hochschild’s concept of ‘emotional labour’ as a starting point, this paper will argue that the marginalised women that populate Rhys’s novels and stories are alienated, in part, because they are unable to regulate their emotions effectively or in ways that might allot them any kind of social or financial security. What happens, Hochschild asks in The Managed Heart (1983), when the ‘private management of feeling is socially engineered and transformed into emotional labor for a wage’ ?[1] This is a question that also informs Rhys’s writing throughout. Like Hochschild, she shows a preoccupation with the implications and effects of attaching emotion to money, of turning feeling into a commodity, both in the contexts of interpersonal relationships and the various forms of low-paid private or public-facing service work that her characters are so often shown to undertake. With particular attention to Smile Please, Voyage in the Dark and a selection of stories, I will suggest that failures of emotional labour are central to Rhys’s aesthetic, both in terms of subject and theme and in terms of her own authenticity as a writer. Above all, I will show that her representations of the nuances and contours of this experience of failure are shaped by her status as a displaced migrant woman writer.

[1] Arlie Russell Hochschild, The Managed Heart : Commercialization of Human Feeling (Berkeley, Los Angeles, London : University of California Press, 2012) xviii.

Présentation d’Emily Ridge

Emily Ridge is a Lecturer at the National University of Ireland Galway, having previously taught at City University of Hong Kong and the Education University of Hong Kong. She works on modernist and post-war literature. Her first monograph, entitled Portable Modernisms : The Art of Travelling Light, was published by Edinburgh University Press in 2017 and she is co-editor (with Jeffrey Clapp) of Security and Hospitality in Literature and Culture : Modern and Contemporary Perspectives (Routledge, 2016). She co-edited with D^r. Jeffrey Clapp a volume of essays entitled Security and Hospitality in Literature and Culture : Modern and Contemporary Perspectives (Routledge 2016) and with D^r Alexandra Peat a double special issue of Women : A Cultural Review on “Discourses of Emotional Labour” (2023).

Pour toute information, contacter Vanessa Guignery : vanessa.guignery ens-lyon.fr